Road Case Stories: Episode 1 with Bryan Worthen

You are tuning into Road Case Stories on FerroCity! FerroCity founder Joe Scacciaferro kicks off the show, hyping up this week's massive guest before handing it over to host J3. Together, Joe and J3 dive deep into the trenches with front-of-house (FOH) audio royalty, Bryan Worthen. 

Episode Highlights:

  • Accidental Audio Origins: Worthen got his start in Phoenix by helping his neighbors carpet boxes for 15-inch JBL speakers, which eventually led to him mixing at a punk club called Mudbugs.
  • Baptism by Fire: His first major tour was with Dave Rat, where he simultaneously ran monitors for L7, the Melvins, and Wool, returning home very hard of hearing.
  • The Painful Digital Transition: Worthen was forced to switch to digital consoles around 2005 when Foo Fighters' management wanted a smaller FOH footprint to sell more tickets. He initially chose the DiGiCo D5 because its visual layout closely mirrored an analog board, though he later experienced a nightmare scenario with an SD7 making an arena sound like a windstorm in Paris.
  • Deftones' Microphone Destruction: During the 1998 Warped Tour, Chino Moreno ran three Shure SM57 microphones through a switcher box. Moreno performed so aggressively that he would constantly break them, forcing the crew to send 25 to 30 broken SM57s back to Shure for repairs every single week.
  • Proving He's Christopher Cross: Worthen once received a random phone call from a man claiming to be Christopher Cross looking for a FOH engineer. Convinced it was a prank by his industry friends, Worthen refused to believe him until the caller actually sang "Sailing" over the phone.
  • Travis Barker's Left-Footed Tour: While on tour with Blink-182 in Australia, drummer Travis Barker slipped on a curb and broke his right ankle. Because Barker is naturally left-handed and left-footed, he simply rearranged his kit and flawlessly played the rest of the tour using his left foot.
  • The Secret "Taylor Cam": To manage stage bleed from Taylor Hawkins' incredibly hard drumming, Worthen set up a private, close-up camera on the drummer to know exactly when he was actually singing, allowing him to mute the vocal mic the rest of the time.