FerroTV Shows
Ever wonder where all the show tech is when a band is playing in the round and their stage is in the center of an arena or stadium?
How about knowing what you need to make your live band recording sound as good or better then if you were in the audience?
Sit back and let one of the industry audio legends reveal all the secrets
Key Takeaways:
- “In the round” stages (stage centered in the arena) add major complexity because you need extra PA and lighting coverage so the entire audience can see and hear well.
- Front-of-house mixing is done from within the crowd, while the monitor console may be moved to a separate area (like a hallway) to improve communication and workflow.
- Video and camera systems are important backstage tools—not just for visuals, but also for coordinating cues and letting the monitor engineer communicate with band members.
- Cable management is a serious safety and logistics issue; running cables through the floor helps reduce trip hazards in high-traffic areas.
- Recording a live show (e.g., for a DVD) typically uses multiple audience and orchestra microphones, including ceiling-hung condenser mics routed back to a central recording point for quality capture.
- Live broadcast/streaming requires coordination with a TV truck and creating a mix that translates well for broadcast, under intense time pressure in a fast-moving production environment.
